Gokushiteki erosu: Renka 1974

Gokushiteki erosu: Renka 1974 (1974)

1h 38m | Documentary | Japan
7.2IMDb
8.1DouBan

At the beginning of the documentary, which belongs to the original extreme male, the director said that he made the film to try to solve the relationship between him and his ex-lover Miyuki Takeda, who is also the mother of their children. and a bisexual feminist. This confession implies that Yuki Takeda is troubled by the original man and needs to be exorcised as a monster. In addition, the film, which the director works with his current lover, Satoshiko Kobayashi (now a producer), wants to show further that it depicts a rare woman who faces a complex life without fear. Instead of hiding from the clutter of life, the film indulges in it. Takeda Yoshihiro Takeda and his lens entered her life in an amazing way, peeling herself completely naked, a kind of nakedness is also a symbol. The film shows a complex and long meaning, it seems that the film is obviously about the woman in the film, but also about the director himself, he understands that part of himself is closely related to Miyuki Takeda, but she, she doesn't care what the original man or the audience will think of her, she doesn't seem interested in being described as a pitied. She spoke to the original man countless times.

At the beginning of the documentary, which belongs to the original extreme male, the director said that he made the film to try to solve the relationship between him and his ex-lover Miyuki Takeda, who is also the mother of their children. and a bisexual feminist. This confession implies that Yuki Takeda is troubled by the original man and needs to be exorcised as a monster. In addition, the film, which the director works with his current lover, Satoshiko Kobayashi (now a producer), wants to show further that it depicts a rare woman who faces a complex life without fear. Instead of hiding from the clutter of life, the film indulges in it. Takeda Yoshihiro Takeda and his lens entered her life in an amazing way, peeling herself completely naked, a kind of nakedness is also a symbol. The film shows a complex and long meaning, it seems that the film is obviously about the woman in the film, but also about the director himself, he understands that part of himself is closely related to Miyuki Takeda, but she, she doesn't care what the original man or the audience will think of her, she doesn't seem interested in being described as a pitied. She spoke to the original man countless times.

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