Les anges exterminateurs

Les anges exterminateurs (2006)

1h 40m | Plot, Fantasy | France
5.4IMDb
6.2DouBan

This is a film based on the director's own experience. Francois, a writer, occasionally guest film director and director of several police and bandit films, chose actors for a love film about women, but asked the heroine to have explicit same-sex intimate contact in the film. In the end, the three heroines he found not only fell in love with each other, but also more or less admired the director. When filming is about to begin, one heroine is out of her mind, and the other leaves and threatens revenge. In the end, the film was finished, but two actresses later accused him of sexual assault, and someone even came to kill him. Finally, even the director's wife left him. French director Jean-Claude Brisso's 2006 fantasy work was shortlisted for the "director's fortnight" section of the Cannes Film Festival. Angel of destruction is one of the boldest, most ridiculous and most confusing films in the exhibition, and it is also one of the best. In France, like the famous female director Bria Caitlin, Jean-Claude Brisso's films always cause great controversy among audiences. His films are infatuated with the expression of human desires and the taboos of challenging human life. He often asks himself questions between morality and law in his films, and he has conquered the audience with the aesthetic image style of "neoclassicism". And several of his films have a Hitchcock style of suspense. This film is no exception, although the film is a film with a lot of exposed scenes, but the director's intention is not only to show a few pornographic scenes, but also to show the theme of people's dependence on desire and the relationship between desire and death. The god of death in the film is two women dressed in black, they continue to appear, laughing at human stupidity and greed. What is puzzling is that death finally spared Francois, and there were signs of feelings between the two gods of death. In all kinds of scene settings, accompanied by the surveillance of two invisible female angels and the occasional whispering in the ear, the detailed display of female masturbation step by step, the director's exposure makes the male moviegoers thoroughly open the imagination of voyeurism and get the pleasure of YY. Director Jean-Claude Brisso (Jean-Claude Brisseau), a former teacher, has made some unreleased films: crossroads (1975) and living like this (1978). Later, he filmed the TV movie Shadow (1980). Cruel Game shows that he is a comprehensive author, and his artistic inspiration and personal style have been further confirmed in later films such as Voice and anger (1987), White Wedding (1989), Zelena (1990) and Black Angel (1994). He has always been the darling of the Film Handbook, and 2003 of Choses secr è tes were among the top 10 of the year. He is regarded as the successor of "neoclassicism".

This is a film based on the director's own experience. Francois, a writer, occasionally guest film director and director of several police and bandit films, chose actors for a love film about women, but asked the heroine to have explicit same-sex intimate contact in the film. In the end, the three heroines he found not only fell in love with each other, but also more or less admired the director. When filming is about to begin, one heroine is out of her mind, and the other leaves and threatens revenge. In the end, the film was finished, but two actresses later accused him of sexual assault, and someone even came to kill him. Finally, even the director's wife left him. French director Jean-Claude Brisso's 2006 fantasy work was shortlisted for the "director's fortnight" section of the Cannes Film Festival. Angel of destruction is one of the boldest, most ridiculous and most confusing films in the exhibition, and it is also one of the best. In France, like the famous female director Bria Caitlin, Jean-Claude Brisso's films always cause great controversy among audiences. His films are infatuated with the expression of human desires and the taboos of challenging human life. He often asks himself questions between morality and law in his films, and he has conquered the audience with the aesthetic image style of "neoclassicism". And several of his films have a Hitchcock style of suspense. This film is no exception, although the film is a film with a lot of exposed scenes, but the director's intention is not only to show a few pornographic scenes, but also to show the theme of people's dependence on desire and the relationship between desire and death. The god of death in the film is two women dressed in black, they continue to appear, laughing at human stupidity and greed. What is puzzling is that death finally spared Francois, and there were signs of feelings between the two gods of death. In all kinds of scene settings, accompanied by the surveillance of two invisible female angels and the occasional whispering in the ear, the detailed display of female masturbation step by step, the director's exposure makes the male moviegoers thoroughly open the imagination of voyeurism and get the pleasure of YY. Director Jean-Claude Brisso (Jean-Claude Brisseau), a former teacher, has made some unreleased films: crossroads (1975) and living like this (1978). Later, he filmed the TV movie Shadow (1980). Cruel Game shows that he is a comprehensive author, and his artistic inspiration and personal style have been further confirmed in later films such as Voice and anger (1987), White Wedding (1989), Zelena (1990) and Black Angel (1994). He has always been the darling of the Film Handbook, and 2003 of Choses secr è tes were among the top 10 of the year. He is regarded as the successor of "neoclassicism".

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