The Honeymoon Killers

The Honeymoon Killers (1969)

1h 47m | Romance, Thrilling, Crime | USA
7.1IMDb
7.3DouBan

Fat head nurse Martha (Shirley Stoler is acted the role of) all the life is nothing but dull work to take care of a strong sense of dependence but often complain of the mother, she has not much hope for the so-called love, until she through the dating center and a small New York importer Lei (Tony Lo Bianco) letter exchange, the two confirmed the love relationship, soon Ray made a special visit, borrowed a sum of money from Martha and hurriedly returned. Martha was obsessed with Ray, only to find out that the other party was actually a money-seeking emotional liar. Ray let Martha, who accepted her identity as a liar, appeared in the name of her own sister. since then, the two began to cheat everywhere using pseudonyms. Martha strictly prevented Ray from having sex with those cheated women, and the means to treat them became more and more ferocious, and finally developed to the point of being cheated. This film is based on a real case of fame in the 1940s, which has been put on the screen many times. After the screenwriter Leonard Kastle wrote the screenplay, he directed himself under the circumstances that the choice of director could not be confirmed for a long time, which is also his only director's work.

Fat head nurse Martha (Shirley Stoler is acted the role of) all the life is nothing but dull work to take care of a strong sense of dependence but often complain of the mother, she has not much hope for the so-called love, until she through the dating center and a small New York importer Lei (Tony Lo Bianco) letter exchange, the two confirmed the love relationship, soon Ray made a special visit, borrowed a sum of money from Martha and hurriedly returned. Martha was obsessed with Ray, only to find out that the other party was actually a money-seeking emotional liar. Ray let Martha, who accepted her identity as a liar, appeared in the name of her own sister. since then, the two began to cheat everywhere using pseudonyms. Martha strictly prevented Ray from having sex with those cheated women, and the means to treat them became more and more ferocious, and finally developed to the point of being cheated. This film is based on a real case of fame in the 1940s, which has been put on the screen many times. After the screenwriter Leonard Kastle wrote the screenplay, he directed himself under the circumstances that the choice of director could not be confirmed for a long time, which is also his only director's work.

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