Good Luck (2017)

Long mirror perspective, quiet contrast, first depth and then span, is the grammar and strength of this film. First of all, I went to the copper mine cave 400 meters underground in Serbia, and then turned to the illegal gold-panning hot spot in Suriname. The former opened its eyes and saw the bottomless darkness, while the latter heard the peace of heaven and earth in the deep valley, but it was also endless overtone. Miners are people who do not adapt to society, living in a void to express their feelings of existence, with their own rhythm of life and attitude towards life. Ben Russell even arranged selfies of his own length to capture fearless eyes and silent poetry. The title of the film is a popular English blessing in the world, but turning it into an idiomatic opening and ending is a truly self-encouraging wish, an allegorical "translation", and a painstaking attempt to point out the situation of global exploitation. May you all receive it. American Film critics Association Award for Best Experimental Film.