One Hundred Days After Childhood (1975)
The height of summer. An old manor. 14-year-old Mijia spent 100 days saying goodbye to her childhood at the summer camp here. The collection number, the flag-raising ceremony, the ignorant first love, the smile of the Mona Lisa on the slide, taking part in labor at a nearby collective farm, and putting Lemontov's "masquerade" on the stage of the summer camp, these are Mijia's main life in the "Forest Island" summer camp. While feeling the beauty of nature and the rich nourishment of literature, Mi Jia also experienced the frustration of unrequited love and the loss of childhood. The film is divided into paragraphs according to 11 headings, and each paragraph connects naturally. The internal rhythm of the film promotes the development of the plot. Director Xie Solovyov brilliantly permeates painting, literature and music throughout the film. Saving the heart with beauty and wisdom seems to be the theme he has always expressed. This film is no exception. The pure and innocent temperament of the youth, the sharp pain in the heart, and the embryonic form of self-consciousness have all been well presented. While the lens depicts the subtle layers of nature, light and shadow, Solovyov captures the character's fleeting emotional changes, and it is on such an isolated island and a necessary journey in life that the protagonist's inner strength slowly accumulates. Whether it is.
The height of summer. An old manor. 14-year-old Mijia spent 100 days saying goodbye to her childhood at the summer camp here. The collection number, the flag-raising ceremony, the ignorant first love, the smile of the Mona Lisa on the slide, taking part in labor at a nearby collective farm, and putting Lemontov's "masquerade" on the stage of the summer camp, these are Mijia's main life in the "Forest Island" summer camp. While feeling the beauty of nature and the rich nourishment of literature, Mi Jia also experienced the frustration of unrequited love and the loss of childhood. The film is divided into paragraphs according to 11 headings, and each paragraph connects naturally. The internal rhythm of the film promotes the development of the plot. Director Xie Solovyov brilliantly permeates painting, literature and music throughout the film. Saving the heart with beauty and wisdom seems to be the theme he has always expressed. This film is no exception. The pure and innocent temperament of the youth, the sharp pain in the heart, and the embryonic form of self-consciousness have all been well presented. While the lens depicts the subtle layers of nature, light and shadow, Solovyov captures the character's fleeting emotional changes, and it is on such an isolated island and a necessary journey in life that the protagonist's inner strength slowly accumulates. Whether it is.
Top Cast
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Sergei Solovyov Director -
Tokarev Actor
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Tatyana Drubich Actor -
Malysheva Actor -
Agilin Actor
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Sergey Shakurov Actor
DVD
| Title | Download | Size | Publish |
|---|---|---|---|
| Сто дней после детства.1975.mkv | 2.3GB | 3 Year ago |
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