Sicily! (1999)

Just as he once described Kafka's short story as "abstract" and photographed Ms. Bach's day so close to sound rather than words, Straub's style, apart from stubbornly continuing the "obstinate" tactics of new wave friends like MoulletGarrel, can also be regarded as a high manifestation of his own "art" defense. It seems that I have to look back at the episode that Pedro Costa shot for the couple, or maybe I can really get closer to them (is it because Costa is like them, or is Costa itself really affected by the couple and get the real marrow, so find the author who has the most research on them? We don't know about that.